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Shakespeare and the Duke
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The Duke's Man: Ellington, Shakespeare, and Jazz Adaptation
(pdf)
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Terence Hawkes |
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Minstrelsy, Jazz, Rap: Shakespeare, African American Music, and Cultural Legitimation
(pdf)
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Douglas Lanier |
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Form and Character in Duke Ellington's and Billy Strayhorn's Such Sweet Thunder
(pdf)
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Stephen M. Buhler |
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Swingin' Shakespeare From Harlem to Broadway
(pdf)
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Fran Teague |
Jazz, Shakespeare, and Hybridity: A Script Excerpt from Swingin' the Dream
(pdf)
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Alan Corrigan |
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Performing Race / Gender in the Old and New South
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They Were Always Doing Shakespeare: Southern Actresses and Shakespearean Appropriation
(pdf)
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Robin Warren |
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The Old and New South: Shakespeare in Margaret Mitchell's Gone With the Wind
(pdf)
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Darlene Ciraulo |
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Confession; or, the Blind Heart: An Antebellum Othello
(pdf)
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Christy Desmet |
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Class and Country in the contemporary Southeast
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A Way of Life Worth Preserving? Identity, Place, and Commerce in Big Business and the American South
(pdf)
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Sharon O'Dair |
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Country Matters: Shakespeare and Music in the American South
(pdf)
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Robert Sawyer |
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Shakespeare Festivals in the American South
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"The Sun Looking with a Southward Eye upon Us": Shakespeare in South Florida
(pdf)
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Kevin Crawford |
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Bard in a Barn: Iconography, Appropriation, and Shakespeare at Winedale
(pdf)
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Matt Kozusko |
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"NC Shakes": The North Carolina Shakespeare Festival
(pdf)
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Bethany Sinnott |
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Performing Shakespeare in the Old/New South, or What Happens When Shakespeare Is Your Middle Name
(pdf)
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Susan Willis |
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Appropriations in Performance
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Ophelia, by Douglas Huff
(pdf)
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Mark Z. Muggli |
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Hamlet, Revenge of a King, by Herbert Newsome
(pdf)
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Alan F. Hickman |
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Book Reviews
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Shakespeare's Violated Bodies, by Paschale Aebischer
(pdf)
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Rebecca De Haas |
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Spectacular Shakespeare, edited by Courtney Lehmann and Lisa S. Starks
(pdf)
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Scott Reed |
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Contributors
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Contributors
(pdf)
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